Текст книги "Уильям Блейк в русской культуре (1834–2020)"

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Abstract

Blake in Russian culture: 1834–2020 by Vera Serdechnaia (Moscow, Gorodets Publ., 2021) offers a story of Blake reception in Russian criticism, literature and music. The author describes the history of Russian Blake translations, including the forgotten versions by Vladimir Elsner (Kiev, 1912), as well as the frst discovered translations by Nikolai Gumilyov (Petersburg, 1919–1921) and Serafma Remizova (Paris, 1920s – 1930s). The book also takes a dive into the life of the emigrant poet and mosaic artist Boris Anrep (1883–1969), who considered himself Blake's creative heir and wrote some poems, mainly unpublished, close to prophetic epics. Vera Serdechnaia shows the way Blake's poetry infuenced such Russian poets as Konstantin Balmont and Jurgis Baltrušaitis, Daniil Kharms and Nikolay Gumilyov, Joseph Brodsky and Veniamin Blazhenny, Yuri Stefanov and Andrei Tavrov. Blake also grabbed attention of a few Russian composers: Dmitry Smirnov wrote about 40 symphonic works on Blake; in 2020 Leonid Fedorov recorded an album «Blake», and Alexander Belousov created an opera «The Book of Seraphim» based on Blake's Book of Thel in Stanislavsky Electrotheatre.

Acknowledgments

I am truly grateful to Bloomsbury Publishing, who invited me as an author. My deepest gratitude to Sibylle Erle and Morton Paley, who trusted in me and inspired my studies. Also, I'd like to thank my colleagues in Blake studies, who showed me the precious examples of creativity: Luisa Calè, Eliza Borkowska, Edward Larrissy, Ágnes Péter, João Carlos Callixto, Yann Tholoniat, Susanne Schmid, Robert W. Rix, Jason Whittaker and Tanja Bakić.