Книги в оригинале на языке - русский
Жанр: Современная русская литература, Современная проза
16+
"Songs in the night" – the book is about young lady who was heavily addicted to drags and yet she tried to search for freedom and meaning in her life. Can someone who is broken, disappointed, lonely, addicted and depressed rise from the bottom and gain back the dignity and a place in life? Well yes and sky is the limit! Believes the author who happens to have grounds to say...
Жанр: Биографии и Мемуары, Публицистика
12+
The life of hierodeacon Antony has been shaped by a cruel fate, indeed. It all began one day when he, a callow youth, was forced to leave his father’s home and overnight became a wanderer and eventually a martyr. Having first deprived him of eyesight, of hearth and home, and finally of family happiness, the cruel fate, however, was unable to break his spirit and his resolve to live an honest life following the dictates of Christian conscience.
But before beginning my story about this remarkable Orthodox monk I would like to ask you first who of you could define the meaning of your life? Do any of you know for certain and exactly why you came into this world?
There are those among us who choose to turn our life into a gamble with death, while others play a lifelong game of chance for financial gain. There are those for whom life is a lifelong toil to provide for their family members, to feed their near and dear ones. For the hero of my story his life became a steady ascent to the pinnacle of true faith and the true meaning of earthly life.
So here comes the story of the life and death of hierodeacon Antony, a blind Orthodox...
Жанр: Триллеры, Боевики
12+
After the performance of a military experiment in the Central Atlantic the squadron led by American supercruiser went home. But the disappearance of the vessel detained in place made them return. Something strange and frightful is going on in this region. People vanish, F-16 is brought down, health resort island is completely...
Жанр: Историческая литература, Современная проза
12+
Першу згадку про опришків історики знайшли у документах за 1529 рік. З Галичини, Закарпаття і Буковини тікали в Карпатські гори розорені хуторяни, бідні міщани і польські, молдавські та угорські селяни, з яких створювалися опришківські загони. Найвищого піднесення карпатське опришківство, що залишило помітний слід в історії українського народу, досягло у XVIII столітті, коли на чолі народного руху постав Олекса Довбуш. Саме йому, захисникові знедолених і скривджених, українському Робін Гуду, і присвячена повість видатного українського письменника Гната...
Жанр: Зарубежные детские книги, Детские книги
Ласкаво просимо в дивовижний і захопливий світ російської народної казки. Тут тварини розмовляють, люди розуміють мову птахів і тварин, сили природи стають учасниками подій. Читаючи казки, ми радіємо і хвилюємося, сміємось і сумуємо, пишаємось героями, що вирушають у далекі краї, долають численні перешкоди, допомагають слабосилим і борються зі злом.
Для дітей середнього шкільного...
Жанр: Изобразительное искусство и фотография, Искусство
Picasso was born a Spaniard and, so they say, began to draw before he could speak. As an infant he was instinctively attracted to artist’s tools. In early childhood he could spend hours in happy concentration drawing spirals with a sense and meaning known only to himself. At other times, shunning children’s games, he traced his first pictures in the sand. This early self-expression held out promise of a rare gift. Málaga must be mentioned, for it was there, on 25 October 1881, that Pablo Ruiz Picasso was born and it was there that he spent the first ten years of his life. Picasso’s father was a painter and professor at the School of Fine Arts and Crafts. Picasso learnt from him the basics of formal academic art training. Then he studied at the Academy of Arts in Madrid but never finished his degree. Picasso, who was not yet eighteen, had reached the point of his greatest rebelliousness; he repudiated academia’s anemic aesthetics along with realism’s pedestrian prose and, quite naturally, joined those who called themselves modernists, the non-conformist artists and writers, those whom Sabartés called “the élite of Catalan thought” and who were grouped around the artists’ café Els Quatre Gats. During 1899 and 1900 the only subjects Picasso deemed worthy of painting were those which reflected the “final truth”; the transience of human life and the inevitability of death. His early works, ranged under the name of “Blue Period” (1901-1904), consist in blue-tinted paintings influenced by a trip through Spain and the death of his friend, Casagemas. Even though Picasso himself repeatedly insisted on the inner, subjective nature of the Blue Period, its genesis and, especially, the monochromatic blue were for many years explained as merely the results of various aesthetic influences. Between 1905 and 1907, Picasso entered a new phase, called “Rose Period” characterised by a more cheerful style with orange and pink colours. In Gosol, in the summer of 1906 the nude female form assumed an extraordinary importance for Picasso; he equated a depersonalised, aboriginal, simple nakedness with the concept of “woman”. The importance that female nudes were to assume as subjects for Picasso in the next few months (in the winter and spring of 1907) came when he developed the composition of the large painting, Les Demoiselles d’Avignon. Just as African art is usually considered the factor leading to the development of Picasso’s classic aesthetics in 1907, the lessons of Cézanne are perceived as the cornerstone of this new progression. This relates, first of all, to a spatial conception of the canvas as a composed entity, subjected to a certain constructive system. Georges Braque, with whom Picasso became friends in the autumn of 1908 and together with whom he led Cubism during the six years of its apogee, was amazed by the similarity of Picasso’s pictorial experiments to his own. He explained that: “Cubism’s main direction was the materialisation of space.” After his Cubist period, in the 1920s, Picasso returned to a more figurative style and got closer to the surrealist movement. He represented distorted and monstrous bodies but in a very personal style. After the bombing of Guernica during 1937, Picasso made one of his most famous works which starkly symbolises the horrors of that war and, indeed, all wars. In the 1960s, his art changed again and Picasso began looking at the art of great masters and based his paintings on ones by Velázquez, Poussin, Goya, Manet, Courbet and Delacroix. Picasso’s final works were a mixture of style, becoming more colourful, expressive and optimistic. Picasso died in 1973, in his villa in Mougins. The Russian Symbolist Georgy Chulkov wrote: “Picasso’s death is tragic. Yet how blind and naïve are those who believe in imitating Picasso and learning from him. Learning what? For these forms have no corresponding emotions outside of Hell. But to be in Hell means to anticipate death. The Cubists are hardly privy to such unlimited...
