Текст книги "Ганеша и его культ: происхождение, иконография, мифология"

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– Ganesha Images from Rock-cut caves of Kerala // Kalā. The Journal of Indian Art History Congress, Vol XIII (2017–2018). Guwahati, Assam.

Kumar, Vibhavari.Symbolic Elephant motif in Traditional Indian Textiles and Embroideries // Asian Elephants in Culture & Nature. Centre for Asian Studies, University of Kelaniya, Sri Lanka. 2016.

Kumar, Vinay.Representation of Elephant in Tribal Art and Culture of Central India // Asian Elephants in Culture & Nature. Centre for Asian Studies, University of Kelaniya, Sri Lanka. 2016.

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Liyanage, D.Moral Communications Through Proverbs Related to Elephants and Tuskers // Asian Elephants in Culture & Nature. Centre for Asian Studies, University of Kelaniya, Sri Lanka. 2016.

Lo Turco, Bruno.The divine scribe: A new interpretation of the Gaṇeśa episode from the Mahābhārata // Palaeography Between East & West. Proceedings of the Seminars on Arabic Palaeography at Sapienza University of Rome, ed. by A. D’Ottone Rambach. Rivista degli Studi Orientali N.S. 90, 2018. pp. 153–178.

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Narain A. K.Gaņeśa: A Protohistory of the Idea and the Icon // Ganesh: Studies of an Asian God. Editor Robert L. Brown. State University of New York Press, Albany, 1991.

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Nishanthi, M.Terracotta Elephant Figures Used in Sri Lanka for Rituals and Beliefs // Asian Elephants in Culture & Nature. Centre for Asian Studies, University of Kelaniya, Sri Lanka. 2016.

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Pradhan, S., Sumant, S.Lion and Elephant Motif or Gaja-Simha and the Gajamauktikas // Asian Elephants in Culture & Nature. Centre for Asian Studies, University of Kelaniya, Sri Lanka. 2016.

Puri, Baijnath.Gaṇeśa and Gaṇapati cult in India and South-east Asia // Saṃskr̥ti (Vol. III). Aditya Nath Jha. Grantha Saṃyojana-Samiti, 1969.

Rajguru, Megha.From Shrine to Plinth: Studying the Dialectics of Hindu Deities Displayed in the Museum through Artworks and their Exhibition. A thesis submitted in partial fulfilment of the requirements of the University of Brighton for the degree of Doctor of Philosophy. University of Brighton, 2010.

Raman, U.References to Elephant as Gleaned from the Sangam Literary Works: Asian Elephants in Culture and Nature // Asian Elephants in Culture & Nature. Centre for Asian Studies, University of Kelaniya, Sri Lanka. 2016.

Rampersad, Indrani, Pandita.Abusing Ganesha and Shiva // Invading the Sacred. An Analysis of Hinduism Studies in America. Ed.: Krishnan Ramaswamy, Antonio de Nicolas, Aditi Banerjee. Rupa & Co, New Delhi. 2012.

Ranasinghe, N. D.Special Reference to Sri Dhalada Maligawa Pageant // Asian Elephants in Culture & Nature. Centre for Asian Studies, University of Kelaniya, Sri Lanka. 2016.

Rane-Kothare, Anita.Unusual forms of Ganesha – The Elephant Headed God in India and Mysticism // Asian Elephants in Culture & Nature. Centre for Asian Studies, University of Kelaniya, Sri Lanka. 2016.

Rao, S. K. Ramachandra.Pratima-kosha. Encyclopaedia of Indian Iconography. Vol. 3–6. Kalpatharu Research Academy Publicaion. Bangalore, 1991.

Rao, T. A. Gopinatha.Elements of Hindu Iconography. Vol. I. – Part I. Madras, 1914.

Rao, T. A. Gopinatha.Elements of Hindu Iconography. Vol. II. -Part II. Madras, 1916.

Ray, D.Representation of Elephant in Bengal Arts and Crafts // Asian Elephants in Culture & Nature. Centre for Asian Studies, University of Kelaniya, Sri Lanka. 2016.

Religious Beliefs and Practices of North India during the Early Medieval Period (Handbuch der Orientalistik). Ergänzungsband III. Herausgegeben von J. Gonda. Leiden/Koln, 1973.

Rocher, Ludo.Gaņeśa’s Rise to Prominence in Sanskrit Literature // Ganesh: Studies of an Asian God. Editor Robert L. Brown. State University of New York Press, Albany, 1991.

Rocher, Ludo.The Purāṇas. A History of Indian Literature. Vol. II. Ed. By Jan Gonda. Otto Harrassowitz, Wiesbaden. 1986.

Rossels, Lode.Gaņeśa’s Underbelly. From Hindu Goblin God to Japanese Tantric Twosome. Masterproef voorgelegt tot het behalen van de graad van Master in de Oosterse Talen en Culturen. Japan, 2015–2016.

Sahoo, P. C.Ancient knowledge System of Elephant a Study from Brhatsamhitā and Agnipurāna // Asian Elephants in Culture & Nature. Centre for Asian Studies, University of Kelaniya, Sri Lanka. 2016.

Saint Auvaiyar’s Vinayagar Ahava (A Tamil Poem of Adoration to God Ganesha). Adopted from Loving Ganesha (By Satguru Sivaya Subramuniya Swami). Published for the World Wide Web (www) by sri Skanda’s Warrior of Light. 2016.

Sanford, James H.Literary Aspects of Japan’s Dual– Gaņeśa Cult // Ganesh: Studies of an Asian God. Editor Robert L. Brown. State University of New York Press, Albany, 1991.

Sankrityayan, N. K.Association of Elephants with Goddess Lakshmi: Myth, Ritual, and Temples // Asian Elephants in Culture & Nature. Centre for Asian Studies, University of Kelaniya, Sri Lanka. 2016.

Sastri H. K.South-Indian Images of Gods and Goddesses. Madras, 1916.

Sathe, J.D. The Mythic Origin of Elephants // Asian Elephants in Culture & Nature. Centre for Asian Studies, University of Kelaniya, Sri Lanka. 2016.

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Shri Vishnudharmottara (A Text on Ancient Indian Art). Priyabala Shah. The New Order Book Co. Ahmedabad, 1990.

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The Liṅga-Purāna. Part II. Motilal Banarsidass Publishers. Delhi, 1998.

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Об авторе

Андреева Елена Михайловна – историк, закончила Пермский Государственный Национальный Исследовательский Университет (ПГНИУ), специализируется на истории и культуре Индии, в частности, на южноиндийской храмовой культуре. После окончания университета изучала индийский классический танец – сначала катхак, а затем бхаратанатьям (танджавур-бани) и робиндра-нритья у Чанданы Гхош (ученица Танкамани Кутти, Колкатта). Является руководителем Школы Изящных Искусств «Видья» при Пермском Доме Дружбы, где уже четырнадцать лет преподает бхаратанатьям, робиндро-нритья и санскрит, а также читает лекции по индийской истории, культуре и искусству.

В 2018 году Издательский Дом «Ганга» выпустил в свет книгу Елены Андреевой «Девадаси: Мир, унесенный ветром». В книге рассматриваются самые важные аспекты образа жизни храмовых танцовщиц и института девадаси в целом: терминология, происхождение института девадаси, основные этапы его развития, особенности южноиндийской храмовой культуры и экономики и многое другое. В приложении читатель сможет ознакомиться с историей Тамилнаду.